88  吳宜昌    中山堂中正廳聲響環境改建之電腦模擬與實測
 

盧淑芬

震災後建築物處理政策之研究-以台北市執行「921集集大地震」為例

李宙燁

音源指向性對室內樂廳音響性能之影響

紀雯玲

國立台北藝術大學練習室音響性能設計與評估

楊量光

國立台北藝術大學音樂廳音響性能設計與評估

蔡金照

中國傳統庭院式戲場之音響環境調查

翁國揚

開口部設計對室內流場之影響—以國民小學教室單元為例

黃敬璁

舞台音響環境對演奏者及觀眾之影響

陳毅潮

簡單矩形音樂廳擴散材配置之主客觀評估

陳世堂

獨奏與室內樂的舞臺音響環境之研究

吳惠萍

鞋盒型音樂廳設計對音場擴散性與均齊性的影響

簡明傳

室內裝修材料及構造方法之吸音特性研究

林博偉

實物縮尺模型量測作為室內音響性能試驗工具之探討

吳宜昌

中山堂中正廳聲響環境改建之電腦模擬與實測

林容聖

擴散性材料在簡單矩形廳堂之應用

許晏堃

獨奏行為中建築環境與舞臺音響性能之關係

莊仁彰

台灣既有集會型建築音顧性能發展與個案評估

廖奎智

外牆開口部風雨試驗方法之探討

黃展春

以模擬音場為對象之室內音響性能主觀評估

林谷諭

台灣地區高層集合住宅電氣設備設計準則之研究

黃弘昌

演藝廳樂音之主觀評估

魏甫

生活噪音中連續性音源之心理量評估




 
[摘要]
現為台北市二級古蹟的中山堂,因為內部設施老舊及古蹟再利用的需求,正重新整建中,
而其整建後的目標係提升中山堂的使用功能,使其內部之中正廳成為一個可以提供音樂、
戲劇、演講….等多功能藝文活動演出的場所。
本研究係以電腦模擬來輔助中正廳聲響環境的設計,分別以客觀指標及實際聲音的模擬來
輔助設計,並在中正廳完工後對其聲響環境作量測,以確認中正廳於整建完工後之聲響環
境能達到預定目標。
以電腦計算客觀指標來輔助廳堂設計,可以發現設計上的缺失,經多次的修改,使設計能
達到預定目標。而模擬實際聲音則可以經由樂評家及音樂家的實際感受,對初步設計提出
其主觀之評估,經反覆與樂評家及音樂家溝通,並與客觀指標配合,對設計做多次修改,
以保證實際完工後的廳堂能讓聽眾滿意。
中正廳完工後的測試結果發現,500、1000 Hz之餘響時間都在1.4秒以上,音壓分佈除一樓
前排中央位置外,其他位置均在平均音壓的 ±5 dB之間,而明晰度除二樓前排中央位置外
,其他位置均在 + 4 ~ - 4 dB之間;由上述結果來看,中正廳整建後的聲響環境已達到設
計時所訂定的目標。對於小部分音質未達到預定目標的區域,本研究也以電腦模擬去分析
瞭解,並提出改善的方案。

 
[摘要]
As a national second grade relic in Taipei city, the Chungshan Hall is
currently in the process of renovation due to its outdated equipments and the
need of reutilization for multiple purposes. The goal of this renovation is
to increase its functions so that versatile cultural activities such as music,
opera, conference, and lecture programs can be accommodated.
In this study computer simulation, including the calculation of objective
indices and auralization (synthesis of real sound), was used to aid the design
of Chungcheng Auditorium. Field testing was performed after most of the
interior section of the Auditorium was finished.
Through the calculation of objective indices by computer, we were able to
discover deficiencies in early design stage, and then implement repeated
modifications to ensure that the preset goal be achieved. The auralization,
on the other hand, can help music critics and orchestral conductors offer
useful subjective evaluation. A successful integration of both subjective and
objective evaluations can thus offer a better design to satisfy the perspective
audience.
The testing result of the Chungcheng Auditorium showed that the reverberation
time at 500 and 1000 Hz were above 1.4 seconds. The maximum difference of
sound pressure level was below 10 dB. For the clarity (C80), all but a few
central front seats on the balcony fell in the range of 4 dB and –4 dB. The
measured objective criteria thus revealed that the majority of the acoustical
environment of the Auditorium has reached its goal. For the small portions
where acoustical qualities were not satisfied, recommendations were also given
for their improvements.