80年代台灣城鄉環境快速的發展，於是宜蘭便展開了一連串尋找地方建築的嘗試；90年代宜蘭的地域自主發展經驗帶動了台灣地域性空間的相關議題討論，「宜蘭經驗」成為當時台灣地域性建築實踐的代名詞。在台灣當前的建築發展仍然呈現依附西方現代建築脈絡的同時，探尋建築與地域結合是目前台灣建築發展的另一種方向。
　

本研究試圖從黃聲遠設計的公共性建築的空間組構、材料使用的習慣以及特殊設計手法中解析，進一步探討影響黃聲遠在地域性構築實踐中的關鍵因素。嘗試建構出對於其設計案的分析架構，解析其地域性設計手法的在地實踐過程。藉此探討黃聲遠的公共性建築與社會福利機構設計案的發展方向，了解其設計的整體發展趨勢，解析黃聲遠的設計案中與批判性地域主義的直接或接間關聯性，並從法蘭普頓提出的構築性理論架構下，分析黃聲遠的設計手法與構築性思維的關聯。透過綜合分析與探討了解黃聲遠的地域性設計實踐過程所隱含的真正內涵。
　

綜合本研究分析可得知，黃聲遠的設計是以宜蘭所找尋到的風土與自然的形象與意象做為建築設計的仿擬對象，透過仿擬的設計手法回應宜蘭的特殊地域環境與區域性的文化表徵，並且藉由構造上的組構關係回應反省的內在空間企圖，於是展現出與宜蘭其他在地建築師不同的價值觀與設計手法。

By the development of Taiwan’s cities and countryside during 1980s, a serious of research of regional architecture has been experimenting in Yi-Lan in recent years. Furthermore, as the experience of autonomic regional development in Yi-Lan, the issue of regional identity has started to be discussed broadly in the 90s. “The experience of Yi-Lan” has become a pronoun of regional architecture in Taiwan at that period. Since the development of contemporary architecture in Taiwan still follows the sequence of Western modern architecture, researching the issue of regionalism architecture could further understand the development of architecture in Taiwan.

This study is based on nine public buildings which designed by Sheng-Yuan Huang. According to the aspects of spatial arrangements, materials, and design strategies, the key elements which influence idea of regionalism construction will be discussed. Following the analysis of the framework of Huang’s cases, the design methods of how he practices his regionalism could be disclosed. Furthermore, as the studies which are illustrated above, this thesis will discuss the evolution of his public buildings and social welfare institutions design projects. The direct and indirect connections between these cases and critical regionalism will be explained. Based on the framework of Kenneth Frampton’s tectonic theory, the analysis of the connection between Huang’s design methods and tectonic thinking will also be discussed. Through the integrated analysis, this thesis reveals the essential meanings in his regional design agenda.

As the result of the study, we may conclude that Huang uses the images and meanings of nature and climate what he captured through Yi-Lan to be an imitational subject of architecture design. He responses the cultural symbol of specific regional environments through design methods of imitation. The relationship of constructional composition was used to reflect his internal space design. The expression of values identification and design strategies could be understood beyond other local architects in Yi-Lan.