柯比意散步建築之概念與手法探討
A study of Le Corbusier’s architectural promenade
【關鍵字】
空間設計手法spatial design methods、斜坡ramp、散步建築architectural promenade、柯比意Le Corbusier
【中文摘要】
散步建築(architectural promenade)為柯比意在1920年代所提出之概念，主張斜坡的連接可產生特殊的空間體驗，本研究選擇四個使用斜坡的住家型案例: Villa la Roche (1923)、Villa Savoye (1929)、Villa Shodan (1956)、Centre Le Corbusier
(1967)透過建立實境的3D模型，模擬人在空間中行走的過程與光線變化，除了可以感受因為坡道使用所產生的特殊效果外並可進一步探討手法的運用，藉此了解散步建築從抽象觀念到手法的落實以及對主體產生的影響。
透過個別案例的模擬、客觀條件的探討分析後可發現不論是空間、光線、視覺的效果都先受到坡道形式與建築物關係之影響，在此限制下柯比意再透過不同的設計手法:窗戶形式與位置、扶手形式、材料性等塑造不同的空間氛圍並造成人在行走時產生特殊體驗以及空間併置效果
【Abstract】
‘Architectural promenade’
is a concept proposed by Le Corbusier in 1920s, which argued the connection of
ramps can foster a unique spatial experience. Based on the theory, this thesis
selected four houses designed by Corbusier, that used ramps, as case studies –
Villa la Roche (1923), Villa Savoye (1929), Villa Shodan (1956), and Centre Le Corbusier (1967). 3D models of
these case studies were made to simulate people strolling inside, observing the
quality of light and shadow, and experiencing the special effect achieved
through the use of ramp. By observing the methods employed, how an abstract
concept of ‘architectural promenade’ was manifested and its effect on the
architecture could be understood.
Through the simulation and analysis of the case studies, it is
found that space, light, visual effects are initially constricted by form of
ramp and building, and Le Corbusier, through variety of design methods such as
– form of window and its position, handrail type, and use of material, to
create special spatial experience and effect when people strolling down Corbusier’s ramps.