THE MOLLER HOUSE
阿道夫•魯斯（Adolf Loos, Brunn, Czechoslovakia, 1870 / Vienna, 1918)
建築成就:
阿道夫•魯斯（Adolf Loos）在二十世紀初發表其代表作<<裝飾與罪惡>>
他的著作比他的建築物獲得更大的效應
Loos 在言論上以原始民族的紋身來證明：裝飾是一種文化上的退化。
裝飾不在跟我們的文化有機的聯繫，這種裝 飾就不再是對於文化的表現。
也因此這種裝 飾就是負面的。他把現代裝飾看作群眾生產的, 群眾消耗的垃圾。外加裝飾是不經濟且不實用的，所以裝飾是不必要的。
這篇文章從文化與經濟的角度切入在建築設計的現代主義裡，起了很大的作用。Loos 為二十年代的建築充當一個模型和見證者。
他在二十世紀中對於裝飾風格的批判，為現代建築運動下了一個預言性的見解。
重要作品:
1.Adolf Loos, Goldman&Salatsch House,
Vienna, 1909-11
2.Adolf Loos, Steiner House, Vienna, 1910
3.Adolf Loos, Mueller House, Prague, 1930
4.Adolf Loos, Chicago Tibune Competition,
1922
5.Adolf Loos, Tristan Tzara House, Paris, 1926-27
THE MOLLER HOUSE 1928
This house differs from most subsequent projects in having a separate reception hall,which is entered by ascending from the entrance and via the cloakroom,and provides access to the sleeping floor.The separate music room and dining occupy the entire length of the rear wall, an arrangement corresponding with the constructional elements and already observed in earlier domestic projects,e.g the Strasser House.
Both the spatial articulation and the treatment of the materials used reinforces the difference between the two halves of the living level.
The dynamic living hall features a multitude of items:balusters, balustrades, ceiling beams and flights of stairs,all painted in bright colours.The peacefull dining music rooms are subdued,with wood-veneered walls and a white ceiling.
The house’s exterior is characterized by the difference between the front and the rear facades, the two side-walls are indeterminate.
四建築三B9113028張明弘