建築系陳彥廷副教授指導學生參加義大利A’ Design Awards室內與傢俱類,榮獲1銀獎3銅獎1佳作!

2019.04.22 - By 建築系

參賽學生:王雨涵

指導教授:陳彥廷副教授

獲得名次:A’design awards 2018-2019 Silver awards

作品名稱:Fuji Flower café

作品連結:https://competition.adesignaward.com/design.php?ID=68567

設計概念:

This store is a composite space that provides coffees and floral designs. Aside from being a store, it is also a base in consideration of making the urban green. The entrance of the store is designed to be a short tunnel-like pathway decorated with flowers. In order to create dynamic appearances and feelings during walking through the tunnel, the choices of flowers will be varied regarding different seasons. Overall, the purpose of these designing ideas is to make people feel that they are stepping into a greenhouse garden among concrete jungle.

這間店是一個提供咖啡與花藝的複合式空間。除了身為一家店以外,它也是一個為了創造城市綠化的基地。這間店的入口營造成一條用鮮花裝飾的短隧道式通道,並且花卉的選擇將依據不同的季節而變化。這些設計理念的目的是為了讓人們感覺他們彷彿正在走進都市叢林中的溫室花園。

參賽學生:王雨涵

指導教授:陳彥廷副教授

獲得名次:A’design awards 2018-2019 Bronze awards

作品名稱:Tree

作品連結:https://competition.adesignaward.com/design.php?ID=76203

設計概念:

Tattoo is an eternal imprint. This tattoo parlor represents eternal trees as the design language. Light and shadow on the trees sprinkle form the entrance light well. Also silhouette trees are on the ceiling and the walls. The whole design concept fused the meanings of tree and tattoo.

紋身代表著永恆的烙印,而這間紋身店使用了代表永恆的樹做為設計的語彙,從一入口的天丼撒落在樹木的光影和天花板牆壁使用了樹木剪影來設計,整個設計融入了樹和刺青代表的意義。

參賽學生:王雨涵

指導教授:陳彥廷副教授

獲得名次:A’design awards 2018-2019 Bronze awards

作品名稱:Moore Face Salon Studio

作品連結:https://competition.adesignaward.com/design.php?ID=68566

設計概念:

To reduce the costumers’anxiety, the space has been designed like a domestic facial salon. Indoor, the activity and folding door joined working area and reception cleverly. That solved the pressure of enclosed space and also saved more privacy for this space. The interior materials used dots and different lines which can relate with the tattoo technique.

這是一間富有家居感的面部沙龍工作室,空間的設計降低了紋繡客人的不安感,內部將工作區域及接洽區透過可活動門折疊門做了巧妙的結合,保留空間的隱私感並解決了密閉空間的壓迫,內部的素材使用了點和不同線條,呼應紋繡的技術。

參賽學生: 湯睿峰

指導教授: 陳彥廷副教授

獲得名次: A’design awards 2018-2019 Bronze awards

作品名稱: Surrounded

設計概念:

"To see a thousand miles, to climb higher" said by Wang Zhizhi, a Chinese poet in Tang Dynasty. This design is located in the Yilan Plain, Taiwan, surrounded by beautiful mountains. To avoid other buildings blocking the beauty of the mountains, the design aimed to reveal a mountain’s shaped screen which people could see the overview. As the uplifting of different floors, the style changes to correspond to the scene which mountaineers see at different heights. Eventually, as the poem said, to see the beauty of Yilan mountains, the owner must climb himself to experience and enjoy it.

參賽學生:黃宣庭、謝宗穎

指導教授:陳彥廷副教授

獲得名次:A’design awards 2018-2019 Iron Award

作品名稱:Tactile of Sense Liven

作品連結:https://www.behance.net/gallery/76492819/Tactile-of-Sense-Liven

作品影片:https://vimeo.com/302558705

設計概念:

Sense, Experience, Heart-touching
Tactile of Sense Liven is a joyful blending of sense and experience; Tactile of Sense Liven is not just about designing furniture and home décor, but a service process as well. Instead of making and distributing mass produced products, we invite users to learn manufacturing process of furniture and experience with their own hands. In response to the DIY culture of contemporary society, we create an open source sequential design to invite users to participate in the design and manufacturing process freely, creating an emotional connection between the creator and creation. The elasticity, flexibility and durability of leather enable it to carry the weight of the human body while being able to be shaped freely. A breakthrough in leather testing eliminates processing and leftover materials, allowing free disassembly of each part to minimize unnecessary part wastage!

觸感、體驗、感動

Tactile of Sense Liven 利用完全無法被回收的皮革剩料,重新思考家具的製造方式,並重新定義人與製造物件之間的關係。用手作DIY方式創造別出心裁 的結構,運用皮革本身具有的彈性與韌度支撐人體重量。選擇工廠中的皮革廢料,重新染色、裁切成各種等差序列之圓片,不用到任何金屬結 構支撐的情況下,借重皮革的柔韌強度乘載人體,突破以傳統皮革加金屬結構作設計的侷限,將皮革產業下的剩料重組賦予新貌;不只是設計家具家飾,而是設計一道服務流程!與其大量製造放在通路,不如讓人了解家具製造流程,讓人參與製造體驗。開源我們所創造的序列結構,讓使用者自行 創造更多家具的可能性。

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